Theatre

THEATROGRAPHY part 1 – part 2 – part 3

List:

• Deception by Leslie Howard; The Perplexed Husband by Alfred Sutro (1913, December 20) – amateur production – Stanley Hall, Upper Norwood, London
• Peg O’ My Heart by J. Hartley Manners (1916) on tour
• Charley’s Aunt by Brandon Thomas (1916-1917) on tour
• The Tidings Brought to Mary by Paul Claudel (1917, June 10) – Strand Theatre, London
• Under Cover by Roi Cooper Megrue (1917, Summer-Automn) on tour
• The Freaks by Arthur Wing Pinero (1918, February 14) – New Theatre, London
• The Morals of Vanda by A.G. Rhode (1918, April 1st) – Grand Theatre, Croydon
• Romanticismo by Gerolamo Rovetta (1918, April 14) – King’s Hall, London
• Box B by Cosmo Gordon Lennox (1918, May 6) – London Coliseum
• Sinners by Brandon Fleming (1918, June 3) – Prince of Wales Theatre, Birmingham
• The Title by Arnold Bennet (1918, July 20) – Royalty Theatre, London
• Our Mr. Hepplewhite by Gladys Unger (1919, April 3) – Criterion Theatre, London
• Just a Wife or Two by Christopher St. John (Christabel Gertrude Marshall) and Anthony L. Ellis from Gerbidon and Armont’s play (1919, November 24) – West Pier, Brighton
• Mr. Pim Passes By by A.A. Milne (1920, January 5) – New Theatre, London
• The Young Person in Pink by Gertrude Jennings (1920, February 10) – Prince of Wales’ Theatre, London
• Kitty Breaks Loose by Kingston Stack (1920, February 16) – Duke of York’s Theatre, London
• East Is West by Samuel Shipman and John B. Hymer (1920, June 9) – Lyric Theatre, London
• Just Suppose by A.E. Thomas (1920, November 1st) – Henry Miller’s Theatre, New York
• P’s and Q’s by Annie Nathan-Meyer (1920, December 10) – Morosco Theatre, New York
• The Wren by Booth Tarkington (1921, October 10) – Gaiety Theatre, New York
• Danger by Cosmo Hamilton (1921, December 22) – Thirty-ninth Street Theatre, New York
• The Truth About Blayds by A.A. Milne (1922, March 14) – Booth Theatre, New York
• A Serpent’s Tooth by Arthur Richman (1922, August 24) – Little Theatre, New York
• The Romantic Age by A.A. Milne (1922, November 17) – Comedy Theatre, New York
• The Lady Cristilinda by Monckton Hoffe (1922, December 25) – Broadhurst Theatre, New York
• Anything Might Happen by Edgar Selwyn (1923, February) – Comedy Theatre, New York
• Aren’t We All? by Frederick Lonsdale (1923, May 21) – Gaiety Theatre, New York
• Outward Bound by Sutton Vane (1924, January 7) – Ritz Theatre, New York
• The Werewolf by Gladys Unger (1924, August 25) – Forty-ninth Street Theatre, New York
• Shall We Join the Ladies? by James M. Barrie (1925, January 13) – Empire Theatre, New York
• Isabel by Curt Goetz (1925, January 13) – Empire Theatre, New York
• The Green Hat by Michael Arlen (1925, September 15) – Broadhurst Theatre, New York
• The Way You Look at It by the 3rd Earl of Lathom Edward William Bootle-Wilbraham (1926, July 27) – Queen’s Theatre, London
• Mayfair by St. Clair Scott and Caswell Garth (1926, December 20) – Broad Street Theatre, Newark
• Her Cardboard Lover by Valerie Wyngate & P.G. Wodehouse from Jacques Deval’s play (1927, March 21) – Empire Theatre, New York
• Murray Hill by Leslie Howard (September 29, 1927) – Bijou Theatre, New York
• Escape by John Galsworthy (1927, October 26) – Booth Theatre, New York
• Tell Me the Truth by Leslie Howard (new title for Murray Hill) (1928, June 18) – Ambassadors Theatre, London (then at the Comedy Theatre)
• Her Cardboard Lover by Valerie Wyngate & P.G. Wodehouse from Jacques Deval’s play (1928, August 21) – Lyric Theatre, London
• Berkeley Square by John L. Balderston (March 6, 1929) – Lyric Theatre, London
• Candle Light by Siegfried Geyer and P.G. Wodehouse (September 30, 1929) – Empire Theatre, New York
• Berkeley Square by John L. Balderston (1929, November 4) – Lyceum Theatre, New York
• The New Morality, one act play by Leslie Howard, in Nine Fifteen Review (May 21, 1930) – Schubert Theatre, New York
• Out of A Blue Sky adapt. by Leslie Howard from Hans Chlumberg (1930, February 8) – as director – Booth Theatre, New York
• The Animal Kingdom by Philip Barry (1932, January 12) – Broadhurst Theatre, New York
• We Are No Longer Children by Leopold Marchand (March 31, 1932) – Booth Theatre, New York – as director
• This Side Idolatry di Talbot L. Jennings (1933, October 19) – Lyric Theatre, London
• The Petrified Forest by Robert E. Sherwood (1935, January 7) – Broadhust Theatre, New York
• Hamlet by William Shakespeare (1936, November 10) – Imperial Theatre, New York
• Alias Mrs. Jones by Leslie Howard (1937, September 27) – Little Theatre, Bristol
• Cathedral Steps by Clemence Dane (1942) – role of Horatio Nelson – St. Paul’s Cathedral, London